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shukyou (主教) is the pseudonym of [[ladysisyphus]]/Whitney Bishop/W2. She has been the editor of the f/f [[Special Issues]] since 2008 and editor-in-chief of the whole project since 2010.
shukyou (主教) is the pseudonym of [[ladysisyphus]]/[[User:W2|W2]]. She has been the editor of the f/f [[Special Issues]] since 2008 and editor-in-chief of the whole project since 2010.


Her personal website is [http://w2.moonpants.org/ Letters From the Wasteland], though [http://archiveofourown.org/users/ladysisyphus/works her AO3 page] is updated much more frequently. Her Twitter is [http://twitter.com/ladysisyphus @ladysisyphus] and her Tumblr is [http://www.tumblr.com/blog/ladysisyphus ladysisyphus.tumblr.com]. Her Goodreads author page is [http://www.goodreads.com/author/show/6478559.Shukyou goodreads.com/shukyou].
Her [http://archiveofourown.org/users/ladysisyphus/works her AO3 page] is updated occasionally. She can be found on [https://www.tumblr.com/ladysisyphus Tumblr] and [https://bsky.app/profile/ladysisyphus.bsky.social Bluesky].
 
Though most of her work is available for free, she has contributed to the anthologies [http://sockdolager.net/puzzlebox/ Puzzle Box] and [http://sockdolager.net/theshipswesail/ The Ships We Sail].




== Contributions ==
== Contributions ==
shukyou has written or co-written the following stories:
shukyou has written or co-written the following stories:


*[[(unsent)]]
*[[The Absence of You]]
*[[Additional Tags: RPF, First Time, Bandmates to Lovers, OTP]]<br/>
*[[All Roads Lead to Rome]] (co-written with [[Iron Eater]])<br/>
*[[All That Rises]]<br/>
*[[All This Damn Gravity]]<br/>
*[[The Amanuensis]]
*[[The Amanuensis]]
*[[And All the King's Men]]
*[[And All the King's Men]]
*[[And That's the News]] (co-written with [[Tsukizubon Saruko]])
*[[And That's the News]] (co-written with [[Tsukizubon Saruko]])
*[[Anthracosis]]
*[[Anthracosis]]
*[[Antivenin]]<br/>
*[[Are You Now or Have You Ever Been]]
*[[Are You Now or Have You Ever Been]]
*[[Bar None]]<br/>
*[[The Best Little Hell House in Texas]]
*[[Bless Your Heart]]
*[[Bless Your Heart]]
*[[Bodies in Space]]
*[[Bodies in Space]]
*[[Boys Keep Fucking Up My Car]]
*[[The Breathing Lessons]]
*[[Bright Mouths]]
*[[Bright Mouths]]
*[[Busted]] (co-written with [[Domashita Romero]])
*[[Busted]] (co-written with [[Domashita Romero]])
*[[c:\rano.bergerac]]
*[[c:\rano.bergerac]]
*[[The Campsite Rule]]
*[[Combination Lock]]
*[[The Cuckoo]]
*[[The Day After the 655th Time Through the Time Loop]]<br/>
*[[The Defect]]
*[[Dick]]
*[[Duet for Tenor and Transradial Orthosis]]
*[[Duet for Tenor and Transradial Orthosis]]
*[[Eve]]
*[[Eve]]
*[[The Exile's Tale and Other Complete Wastes of Time]]
*[[The False Prince and the True]]
*[[Female Impersonators of Distinction]]
*[[For the Vine]]
*[[From the Cold]]
*[[Funeral Potatoes]]
*[[Good Chemistry]]<br/>
*[[Good Morning]]
*[[Halfway]]<br/>
*[[Head]]<br/>
*[[Heist of the Century]]
*[[Heist of the Century]]
*[[Heterogenesis]]
*[[Heterogenesis]]
*[[His heart must be ash where his body lies burned]]
*[[Hunter]]
*[[Ibeji]]
*[[Ibeji]]
*[[Ideal Pairing]]<br/>
*[[In the Bush]]
*[[In the Hand of Khal Keresh]]<br/>
*[[Instinct]]
*[[It’s Hard to Say “I Do” When You Don’t]]<br/>
*[[The Jazzman's Last Jive]]
*[[The Jazzman's Last Jive]]
*[[Jól]]
*[[Knight]]
*[[Knight]]
*[[The Last True Story I'll Ever Tell]]
*[[The Last True Story I'll Ever Tell]]
*[[Landscape with Oak and Irritated Traveler]]<br/>
*[[Layer Cake]]
*[[The Long Dark]]<br/>
*[[Man Seeking]]
*[[The Man With the Golden Syringe]]<br/>
*[[The Mechanical Turk]]
*[[The Mechanical Turk]]
*[[Mike Dies At The End]]
*[[Mike Dies At The End]]
*[[Murder Ballad]]
*[[Murder Ballad]]
*[[Navid Arash Taraghijah: Still Life With Chair (I-XXV)]]
*[[Navid Arash Taraghijah: Still Life With Chair (I-XXV)]]
*[[never love someone who could love someone like me]]<br/>
*[[The Newlywed Game]]<br/>
*[[Night Begins the Day]]
*[[Night Owls]]
*[[Novice]]
*[[Odysseus Didn’t Know What He Was Missing]]<br/>
*[[One False Move]]
*[[One False Move]]
*[[The Only Living Boy In New York]]
*[[The Only Living Boy In New York]]
*[[Our Lives in These Empty Spaces Aside]]
*[[Over My Dead Body]]<br/>
*[[Paint the Town Vermilion]]<br/>
*[[The Passion of Saints Tryphaena and Tryphosa]]
*[[The Passion of Saints Tryphaena and Tryphosa]]
*[[A Prescription for Love]]
*[[A Prescription for Love]]
*[[Pyrophoric]]
*[[Pyrophoric]]
*[[Quarry]]
*[[Rain Dogs]] (script for comic by [[detonate]])
*[[Rain Dogs]] (script for comic by [[detonate]])
*[[Re: The Red Blossom Blades (lsq)final edits(rsq)|re: The Red Blossom Blades [final edits]]]<br/>
*[[Real Time]]
*[[Real Time]]
*[[The Red Scare]]
*[[The Red Scare]]
*[[The Red Woman]]
*[[The Red Woman]]
*[[Reverse Cowgirl (Not Gay as in Take Off Your Pants and Jacket, Queer as in Dude Ranch)]]<br/>
*[[Riding Drag]]
*[[Riding Drag]]
*[[Risingson]]
*[[Rose Red and the Huntsmen]]
*[[Rule 63]]<br/>
*[[The Sad Blanket]]
*[[The Sad Blanket]]
*[[The Scene is Dead]]
*[[Sic Transit Gloria Mundi]]
*[[Sid Stills' Blues (Three-Quarters in the Bag in Alphabet City)]]
*[[Sid Stills' Blues (Three-Quarters in the Bag in Alphabet City)]]
*[[The Siren of Titan]]
*[[Six Sundays in July]]
*[[Six Sundays in July]]
*[[The Smart Girl's Spellbook of Practical Wicca]]
*[[so werd ich dich auf meinem Blute tragen]]
*[[so werd ich dich auf meinem Blute tragen]]
*[[Something Else]]<br/>
*[[The Soul of Jonathan]]
*[[The Soul of Jonathan]]
*[[soulmates are stupid i love you on purpose]]<br/>
*[[Stack Whackers]]
*[[Stack Whackers]]
*[[The Stone Fox and the Bloody Hands]] (co-written with [[Tsukizubon Saruko]])
*[[The Stone Fox and the Bloody Hands]] (co-written with [[Tsukizubon Saruko]])
*[[Suspension]]
*[[Terlingua]]
*[[Terlingua]]
*[[This Story Is Full of Scorpions: Seriously, Dude, Don't Read It]]
*[[This Story Is Full of Scorpions: Seriously, Dude, Don't Read It]]
Line 54: Line 113:
*[[This Year's Prom King]]
*[[This Year's Prom King]]
*[[Throwing Smoke]]
*[[Throwing Smoke]]
*[[Timepiece]]
*[[The Two-Body Problem]]<br/>
*[[Unconventional]]
*[[Unseemly]]<br/>
*[[Up the Garden Path]]
*[[Up the Garden Path]]
*[[A Voice in the Wilderness]]
*[[A Voice in the Wilderness]]
*[[Walkies]]<br/>
*[[War Bonds]]
*[[War Bonds]]
*[[Watch]]
*[[We Disappoint, We Disappear]]
*[[Welcome Back, Class of 1990]]
*[[Welcome Back, Class of 1990]]
*[[The White Palace]]
*[[The White Palace]]
*[[Who’s Afraid]]<br/>
*[[Wild]]
*[[A World Made Up of Silver and Copper]]<br/>
*[[Xunantunich]]
*[[Yellow Fever]]
*[[Yellow Fever]]
*[[zero six four eight three are you listening]]
*[[zero six four eight three are you listening]]
*[[心也許很小很小世界卻很大很大]]
*[[心也許很小很小世界卻很大很大]]
*[[𒀭]]




shukyou has written the following remixes:
*[http://bangbangwhimper.livejournal.com/11397.html Wintering (Icarus Ascending remix)]; remix of [[Wintering]] by [[Koizumi Shinme]]


== On Writing ==
== Outside Links ==
 
* [https://web.archive.org/web/20140206182403/boysinourbooks.com/2014/02/06/guest-post-shukyou/ boysinourbooks.com/2014/02/06/guest-post-shukyou/]
<BLOCKQUOTE><P>I like to roll around in language, much to my word count’s horror, which is why sometimes these stories seem a little truncated—SSBB’s got a 128k character limit, done in two 64k entries, and there are times I’ve been cutting individual letters to make my stories fit. It’s a technical limitation, not a personal rule, or else as editor I’d bend it all the time. The reason stories like [[Sid Stills' Blues (Three-Quarters in the Bag in Alphabet City)]] and [[The White Palace]] are so long, though, is that once a year we lift the limit and do stories that span more than two entries (sort of a pain in the butt, which is why we only do it in December). I feel what I do well is voice, in that each narrator, whether first- or third-person opining, has a distinct set of vocabulary, idioms, observations, and unvoiced thoughts.</p>
<p>The other thing about my work for SSBB in particular is that, well, sometimes it’s NOT my best work. But that’s why I like SSBB as a project: it forces me to write, and then it forces me to move on. I can sit on a story and pick it to pieces if you give me infinite editing time, and have done so before; however, if a story’s been published, well, it’s been published, and there’s nothing for it now but to drop it, warts and all, and move on to whatever I’m doing next. Of course, I try to make everything as pretty as I can before it goes to press, but you know, sometimes I’m crunched for time or I’m editing everyone else’s stories or (as with [[Eve]] and [[A Prescription For Love]]) I last-minute wrote a story because I felt the issue was going to be too thin. And that’s okay! Sometimes I write stories for one person, and if that person was brought amusement and joy by it, to hell with what everyone else thinks.</p>
<p>But just damn WRITING has made me a better writer. I was a good fanfic writer, but that’s worlds different from being a good fiction author. My early SSBB stories make me cringe, because I could see how to do them better now, and at least one of them I really do want to go back and revamp someday. (There was also the problem that early SSBB stories were capped at 64k, period, but a lot of mine wanted to be longer.) So on the one hand, it’s kind of embarrassing to look back and see how crummy I was, and on the other hand, hey, progress!</p></BLOCKQUOTE>
 
(from [http://boysinourbooks.com/2014/02/06/guest-post-shukyou/ an interview at Boys in Our Books]




[[Category:author]]
[[Category:author]]
[[Category:staff]]
[[Category:staff]]

Latest revision as of 14:40, 25 October 2026

shukyou (主教) is the pseudonym of ladysisyphus/W2. She has been the editor of the f/f Special Issues since 2008 and editor-in-chief of the whole project since 2010.

Her her AO3 page is updated occasionally. She can be found on Tumblr and Bluesky.


Contributions

shukyou has written or co-written the following stories:


shukyou has written the following remixes: